I owe to Lorraine Daston sincere thanks for sponsoring my time at the MPIWG and for creating a generative environment in which to think and write-being a part of Department II was a delight. Creatures of Cain has benefitted from these colloquies and friendships. Patiently and questioned keenly each dimension of this book. Katja Guenther, from even before I arrived at Princeton, has listened xi Wendy Warren never let me take myself too seriously. (I still harbor hopes that we might jumpstart that lovely group again.) Angela Creager and Keith Wailoo provided feedback at not one but two different stages of the project. Shortly after I arrived, Keith Wailoo convened a small working group of scholars at the intersection of sociology and history which devoted attention to questions of science and social justice, including Betsy Armstrong, Ruha Benjamin, Bridget Gurtler, and Miranda Waggoner.
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(Yaacob Dweck agreed to read the entire manuscript but then I ran out of time.) When I was an ocean away, Wangui Muigai scoured the David Hamburg Papers at Columbia. Joshua Guild, Kevin Kruse, and Sean Wilentz read various pieces. Several years later, Elaine Ayers, Emily Kern, and Ingrid Ockert read the entire manuscript and supplied detailed feedback. Sarah Milov provided a wonderfully bracing comment on an early chapter. At Princeton, I joined a dynamic community of historians who pushed the project in new directions, including Graham Burnett, Angela Creager, Michael Gordin, Katja Guenther, Jenny Rampling, Keith Wailoo, and the slowly changing members of our Monday afternoon Program Seminar. My formal and informal mentors-Julie Green, Clare Lyons, and Robyn Munch-provided much needed intellectual guidance at crucial junctures. Rick Bell, Janna Bianchini, Mike Ross, and David Sartorius kept me cheerful. I would like to thank the Science, Technology, and Society group at Maryland, including Lindley Darden, Robert Friedel, David Sicilia, and Tom Zeller. At the Max Planck Institute for the History of Science in Berlin I began work on the project, at the University of Maryland I planned my research and drafted early chapters, at Princeton University I tore it all apart, and upon returning to Berlin for a year of sabbatical I stitched it back together. It would be impossible to list everyone whose ears I have bent as this book has come together, but as someone who works through ideas by talking, these interactions were vital.
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There has to be wandering along bypaths, midnight reading, and sustained effort.”1 To his list, I would add conversation, especially with people who take your thoughts seriously and push back.
#WHAT MAKES A SERIAL KILLER BY LA DONNA BEAUTY ESSAY FULL#
In the words of Loren Eiseley,“Ideas do not spring full blown from a single brain. Is it, indeed, true that the Poet, or the Philosopher, or the Artist whose genius is the glory of his age, is degraded from his high estate by the undoubted historical probability, not to say certainty, that he is the direct descendant of some naked and bestial savage, whose intelligence was just sufficient to make him a little more cunning than the Fox, and by so much more dangerous than the Tiger? - T hom a s H e n ry H u x l e y Featured in The Scientific American ( July 9, 2012) Production: Jacquie Poirier Publicity: Alyssa Sanford and Julia Hall Copyeditor: Gail Schmitt This book has been composed in Arno Printed on acid-free paper. Pr i nceton U n i v e r sit y Pr e ss Pr i nceton & Ox for dĬopyright © 2019 by Princeton University Press Published by Princeton University Press 41 William Street, Princeton, New Jersey 08540 6 Oxford Street, Woodstock, Oxfordshire OX20 1TR All Rights Reserved LCCN: 2018942717 ISBN 978-8-2 British Library Cataloging-in-Publication Data is available Editorial: Al Bertrand and Kristin Zodrow Production Editorial: Nathan Carr Jacket/Cover Design: Lorraine Doneker Jacket/Cover Credit: “Scientific Debate,” by Nathaniel Gold. DEATH OF THE KILLER APE.Ĭreatures of Cain T h e H u n t for H u m a n Nat u r e i n Col d Wa r A m e r ic a
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NATURALIZING VIOLENCE.ĩ The Edge of Respectability.ġ0 The White Problem in America.